Thursday, 10 February 2011
Switching Tracks
Earlier this week, I transformed my test track into a DCC service track. Inspired by Nigel Burkin (2008), A Practical Introduction to Digital Command Control for Railway Modellers, Ramsbury: Crowood, I simply inserted a centre-off DPDT switch and an extra cable. The original cable is now the program cable, and the extra one the DCC power cable. Both are fitted with plugs to fit my ZTC 511 control system.
The next task will be to actually fit a decoder to one of my locos, and I’ve chosen the Weidknecht Decauville because of its run-in RTR chassis.
The next task will be to actually fit a decoder to one of my locos, and I’ve chosen the Weidknecht Decauville because of its run-in RTR chassis.
Sunday, 17 October 2010
Une Petite Loco
Sunday, 25 July 2010
Somewhere near Cheddar ...
Thinking about the layout overnight, I wondered what the rocky outcrop would look like. A quick Google revealed that the limestone in the Cheddar region of the Mendips, where Steve's fictional quarry is set, dips by 20 degrees to the South East. Hence the layers of polystyrene on the face into which the tunnel portal will be set. There's a lot of plaster to be applied yet, but we think the result will work okay.
Friday, 23 July 2010
A Tunnel Too Far?
Well 40 hours or so later, here's the tunnel portal to date. Painted as described earlier, I roughened it with a little Tamiya weathering paint (sand and green), some Woodland Scenics dark green foliage, and Modelmates soot black. I may add a small amount of ink to highlight the coping mortar, and perhaps some green/yellow blemishes. It also needs some 'furniture' - a number plate, and perhaps some cabling. I'll be putting the tunnel in situ this weekend.
I'm not sure I want to go through all this again, but my next major modelling effort will be the L&B company offices. This comprises at least 10 times the amount of brickwork. Deep joy!
Saturday, 5 June 2010
Bricking It
The tunnel portal job continues, and I like how it's beginning to look even if it is a tedious thing to do. I'm using the technique described by Chris Pilton in Cottage Modelling for Pendon (Wild Swan), although instead of display board and watercolours I'm using Slater's embossed brick and acrylic paints. I suspect this is what is making it so tedious: watercolour tends to flow more easily on paper than does acrylic straight from the tube on plastic. At this stage of the game I don't want to change technique, but I may do a small sampler to see how a drop more water in the mix helps. Anyhow, the palette I'm using (slightly different to Chris Pilton's suggestion, because I couldn't get exact matches) is: Red Iron Oxide; Raw Sienna; Naphthol Red Light; Burnt Sienna; Raw Umber; and Cadmium Orange. The slightly random way I've attacked the painting is down to the fact that my patience and eyesight can't take much more than 30 minutes of this at any sitting. If I were to start at one place and work systematically across, then the joins would probably be obvious. Meanwhile, Steve has taken on the building of the turnouts, and the troubling 3-way version will be 2 consecutive 2-ways instead. Thank heavens for KBScale kits!
Wednesday, 3 March 2010
Making the Landscape
I'd forgotten how tedious painting individual bricks (a la Pendon) was. So last weekend when I ought to have been installing the tunnel portal I made in January, I ended up making the cliff face into which the tunnel will fit. This takes the pressure off painting, but then brings making a 3-way turnout higher up the job list.
Monday, 1 February 2010
Making Tracks
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